FREE ASSOCIATIONS is an excellent way to share your interests with your community.
\nUse our playlist interface to help you organize a screening party. Think YouTube but art\u2019ed up! (\u2026and without the cat videos)<\/p>\n
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FOR POLITICAL ACTIVISTS
\n<\/strong>Get inspired by artists who change the world<\/p>\n
FOR ASPIRING CURATORS
\n<\/strong>Practice curating a selection of media art and get instant feedback<\/p>\n
FOR EDUCATORS
\n<\/strong>Spice up your teaching materials<\/p>\n
FOR STUDENTS<\/strong>
\nShare your interests with classmates and friends<\/p>\n
FOR ARTISTS<\/strong>
\nProliferate cutting-edge media art<\/p>\n<\/div><\/div>\n
FOR EXPERIMENTAL ART ORGANIZATIONS
\n<\/strong>Obtain curated content to present to your audiences<\/p>\n
FOR SOCIAL JUSTICE AND YOUTH ORGANIZATIONS
\n<\/strong>Use media art as a vehicle for the social changes you care about<\/p>\n
FOR HISTORIANS
\n<\/strong>Research important historical moments through the eyes of artists<\/p>\n
FOR MEDIA ART LOVERS<\/strong>
\nShare the love!<\/p>\n<\/div><\/div>\n
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An appropriate location<\/strong><\/p>\n
A selection of videos that matches your expected audience<\/strong>.<\/p>\n
A method<\/strong> of screening the videos (computer & speakers OR projector and screening surface)<\/p>\n
Possibly program notes<\/strong><\/p>\n
A list of discussion<\/strong> questions<\/p>\n
Enough chairs or other comfortable<\/strong> places to sit<\/p>\n
Snacks & drinks (recommended)<\/div><\/div>\n
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Get Started! We offer you 10 simple tips<\/strong> to help you organize your very own screening:<\/p>\n
1. MATCH ART TO AUDIENCE
\nMatch the right selection of pieces to the right audience.<\/strong> If you have a great program that has been assembled for the wrong audience, then your event could alienate them. For example, you may not want to screen a program about tree huggers to a group of loggers. Select pieces that challenge your target audience, but not so inaccessible that they will mentally check out. While it\u2019s certainly important to be clear about your own goals for the evening, it\u2019s also important to address your audience\u2019s sensibilities. Make sure your audience is clear about the nature of the films you are going to screen.<\/p>\n
2. GO BIG OR GO SMALL
\nDecide on how many people you want to attend your screening.<\/strong> Are you planning a small gathering in your home? Or do you envision a large screening elsewhere? If you spread the word widely, set an RSVP date so you\u2019re not overrun with too many guests and not enough chairs.<\/p>\n
3. CHOOSE YOUR PRESENTATION FORMAT WISELY
\nContextualize the pieces with the appropriate presentation format. <\/strong>Some of the films were intended to be installation pieces or experimental projections. Be creative about your exhibition format! But remember, being creative doesn\u2019t mean you need a huge budget or an elaborate set-up: you could screen on your roof or inside a closet or somewhere else if you feel that relates to the videos! Just make sure that the videos you choose fit the exhibition style you design. Locations help viewers understand the art because they contextualize the pieces.<\/p>\n
4. DISCUSSION OR AFTER PARTY?
\nDecide on a formal or informal gathering.<\/strong> You can discuss the work in a less academic format. Make it a potluck or arrange an after party at a pre-arranged space (bar, coffee shop, etc).<\/p>\n
5. FORMAT YOUR DISCUSSION
\nPrepare specific questions that will facilitate a group discussion.<\/strong> Chances are people will want to talk about what they just saw. Start with an icebreaker question to loosen people up. Invite your audience to share their perspectives. Use the program notes to guide you if you need help coming up with good discussion questions. Encourage differences of opinion\u2014and civility!<\/p>\n
6. TEST YOUR EQUIPMENT AHEAD OF TIME
\nMake sure you know what equipment you need.<\/strong> Do you need a projector to show the work on a wall or will a 20-inch TV (plus DVD or laptop) suffice? Set up your equipment at your location the night before. Try everything out before your audience arrives. If something doesn\u2019t work, you\u2019ll be much calmer if you have enough time to fix it. If it is a large enough audience, consider inviting someone to handle the tech side of things while you give an introduction the screening.<\/p>\n
7. ASK FOR HELP IF YOU NEED IT
\nWork with a team of people who believe in you.<\/strong> It may sound clich\u00e9, but sometimes two heads really are better than one. This especially applies if your ideas are very ambitious or difficult to orchestrate. Keep yourself open to new ideas, and don\u2019t be afraid to ask for advice from a friend, a family member, or someone else you trust.<\/p>\n
8. PAY ATTENTION TO THE DETAILS
\nCoordinate the details before your event takes place.<\/strong> You can definitely plan an event with a feeling of spontaneity. But if you coordinate carefully, then it\u2019s much more likely that your event will be a success. Are you going to serve food or drinks? Is your screening going to accompany a parallel event, like a bike ride or picnic or beach day?<\/p>\n
9. BE TRUE TO YOUR VISION
\nKnow what you want audiences to take away from their evening.<\/strong> What do you want to accomplish with your screening? What do you want your audience to remember? A specific issue or theme? If you are working with a team of fellow curators, chances are each of them has their own goals. Get clear as a group what you are trying to achieve. But it\u2019s okay if things don\u2019t go exactly the way you planned. Be flexible, improvise if you need to, and have fun<\/strong>!<\/p>\n","protected":false},"excerpt":{"rendered":"
Log in with us and start curating your own playlists! FREE ASSOCIATIONS FREE ASSOCIATIONS is an excellent way to share your interests with your community. Use our playlist interface to help you organize a screening party. Think YouTube but art\u2019ed up! (\u2026and without the cat videos) WHY SHOULD YOU DO IT? HOW […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/pages\/533"}],"collection":[{"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/comments?post=533"}],"version-history":[{"count":16,"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/pages\/533\/revisions"}],"predecessor-version":[{"id":1342,"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/pages\/533\/revisions\/1342"}],"wp:attachment":[{"href":"http:\/\/archive.freewaves.org\/wp-json\/wp\/v2\/media?parent=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}